We provide the same high quality service for our customer’s instruments as we do for our own remanufactured ones. In short, if you already own a Hammond™, Rhodes™, or Wurlitzer you can have it redone to be just like the ones we sell.
Check out the links below to see our shop in action! As you will see, we leave no stone unturned and nothing to chance as we fully reconstruct each instrument from the ground up!
[In This Section]
Rhodes™ Restoration
We offer both Internal and Full restorations. The Internal level focuses solely on what’s inside the piano; the action and voicing. While the Full restoration adds complete recovering in original or your choice of custom tolex, and all new or re-electroplated external hardware.
Wurlitzer Restoration
As you can see, we tear them completely apart to work our magic. Replacing worn parts and making all the fine adjustments that have all but worn away over the years.
The result is a dynamic and well balanced instrument, returned to way it was new, but with the added benefit of our replacement electronics.
Hammond™ Restoration
As with our piano work, the organ get’s fully disassembled and cleaned. Then it is carefully reassembled as we replace old and worn parts, rebuild the electronics and vibrato scanner, re-cap and re-calibrate the generator, and restore the keyboard action including speak point and tension, to like new condition using our collection of original Factory Data.
Amplifier and Pre-amp Rebuilds
Our experienced staff will rebuild, update, and RIGOROUSLY test your gear and return it to you as good as new! Prices vary widely depending on what equipment is to be serviced and it’s condition, so give us a call @ 717-292-0814 to discuss pricing and options.
15 Responses to “Services”
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October 5th, 2010 at 11:40 am
Yes we can, but you should know going it that it will be expensive and because they weren’t so well built to begin with our guarantee on the work is severely limited.
October 5th, 2010 at 12:35 am
Can you restore a Gibson G101 combo? I got one off eBay years ago with the intent of starting a Doors tribute band. The band never happened but I still have the organ. It needs some TLC.
May 10th, 2010 at 3:38 pm
It’s somewhat normal, but gets worse and more noticeable the closer the pickup is to the tine.
May 10th, 2010 at 3:25 pm
Hi guys,
I have a mid-70′s Rhodes Suitcase piano which, if you monitor
several of the bass keys with a tuner, will demonstrate that some
keys strike on pitch, then go sharp. What would cause a tine speed
up?
Sincerely,
Dave
March 30th, 2010 at 10:24 am
That note that went flat first is a classic sign of a cracked reed that is now broken. Don’t play it as it may dig up the hammer felt. Replacement reeds are the answer, but there is also a chance that the overall condition of the piano will result in them breaking again – if the piano is out of adjustment, which honestly is very possible after several decades of use and it probably never being re-regulated.
March 30th, 2010 at 3:21 am
I have a Wurlitzer 200A with 2 dead keys… I’m not sure if it needs adjustment, but I’m not sure what it could be. I took the lid off and the dampers move, but I don’t want to mess with it. One of the notes went flat before going dead. I’d appreciate any clues.
Thanks!
March 23rd, 2010 at 9:34 am
I’m sorry, but while we have such instruments in the “boneyard” but we do not sell them un-restored.
March 22nd, 2010 at 5:34 pm
Steve,
Do you have an original un-restored 1972,1973,or 1974 suite case or stage, Fender Rhodes, for sale?
Thanks
Vince
February 6th, 2010 at 1:53 pm
Time for a tech on site. They can be tuned. Organs of that era will always be in tune with themselves but can drift over time away from A440. If it’s stable (and it you indicate it isn’t) then it’s just an adjustment, but if not then something needs to be repaired in the “Master Oscillator” that governs the organs pitch.
January 20th, 2010 at 3:55 pm
Our church organ is: Wurlitzer Centura Professional Obit III with synthesizer.
Our piano was tuned to it in the past but now the whole organ is sharp 1/2 step. When it first happened, it corrected after it warmed up. Now it does not correct at all.
Thank you,
Mrs. Sheila Jones
January 6th, 2010 at 12:08 am
Amazing job! i have been thoroughly enjoying the restored Wurlitzer 200a! great work guys! you all do a wonderful job! nothing like a classic!
August 16th, 2009 at 5:24 pm
HEY MAN, Its, good to know that cats are out there to keep the old school boards working .I have a Fender 88 (1973) and a Rhodes 88 (1981).I use them for special gigs.I Ain,t afraid to take them out. If i need anything you will be the first one . Thanks, T.
July 6th, 2009 at 5:40 pm
There would be two ways to do this:
One way is to use our Passive 147 interface – where you’d connect it’s input to your amplifiers speaker jack. You’ll have control over the rotor speed, however you won’t be able to “bypass” the rotor if you use that.
The other way would be to order our MOS-1618 connector, and request that it be built to connect to the 120. With that you can control both speed and speaker arrangement with foot switches. For that you’d have to order it by phone, as it’s not a regular item in our store.
The 1618 would make it functionally identical to a Leslie 16, 18 or Fender Vibratone.
July 6th, 2009 at 2:54 pm
Hello, I have a Leslie 120 cabinet with no power amp. Is there a way to hook up as an extension cab for my guitar amp? It has the connector box and motors in it still. Thanks for any help. Tommy
March 6th, 2009 at 4:53 pm
Hi, I have a 74, Rhodes 73 and a Wurlitzer student model electric piano. Just glad to know that you guys are out there. Thanks a for the great information.